Voltaire / Gemaelde von Largillière Nicolas de Largilliere als Kunstdruck oder Gemälde.
Nicolas de Largillière (1656-1746), Painter and Draughtsman. Sitter associated with 3 portraits Artist associated with 43 portraits French-born and Antwerp-trained, Largillière was in London between 1665 and 1667, and again from 1675 until 1679, when he worked for Sir Peter Lely and Antonio Verrio.Possibly discouraged by widespread anti-Roman Catholic sentiment in England, Largillière left.
NICOLAS DE LARGILLIERRE DIDIER AARON
Nicolas de Largilliere, "Portrait of the Sculptor Pierre LePautre," 1689 (Norton Simon Museum, Pasadena, California) Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Fig. 4. Nicolas de Largillierre, "Portrait of a Woman," 1711 (Musée de Grenoble)
Pin on Portraits and fashion 1710 1795
Nicolas de Largillière. French painter (1656-1746) Autoretrat amb vestimenta de taller, 1707, Washington, National Gallery of Art. Upload media. Wikipedia. Name in native language. Nicolas de Largillierre. Date of birth. 10 October 1656 (in Julian calendar)
IMG_0111J Nicolas de Largillière 16561746 Paris Portrait … Flickr
When Nicolas de Largillière created this family portrait, he was at the height of his fame. Born in Paris, he spent his youth in Antwerp, where he had also become a member of the painters' guild.From 1674 to 1678, he worked for Charles II of England, subsequently returning to Paris, where he became a member of the Academy in 1686.By setting this scene in his studio, Largillière placed his.
Gods and Foolish Grandeur Pierre Cadeau de Mongazon, by Nicolas de Largillière, circa 171520
Nicolas de Largillière (French: [nikɔla də laʁʒijiɛʁ]; baptised 10 October 1656 - 20 March 1746) was a French painter and draughtsman. Biography [ edit ] Early life [ edit ]
.jpg)
NICOLAS DE LARGILLIÈRE (PARIS 16561746) auctions & price archive
How many portraits do you see here? There are actually five. The artist sits on the right with his palette and brushes in hand. The engraver Gérard Edelinck (1640-1707) sits next to him, and the two hold up a portrait print that Edelinck made from Largillière's original painting (displayed at far right). The man standing behind them is Pierre Bernard, who commissioned the engraving.
Pin by Doyle & Doyle on P A I N T I N G S Detail art, Classical art, Classic art
Throughout his long career, Nicolas de Largillière was renowned for his portraits. This portrait of an unknown sitter, probably a member of the newly wealthy Parisian middle class, was painted by the artist soon after he became a member of the Académie de Peinture et de Sculpture in Paris.An important bridge between the staid and conservative French portrait tradition of the seventeenth.
Marquise du Châtelet par Nicolas de Largillière (Louvre) Grand Ladies gogm
Nicolas de Largillière (1656-1746) was one of the most highly praised artists of the second half of Louis XIV's reign. He was admired for his realistic technique and for his talent in capturing the personality of his subjects.
Nicolas de Largillière Paris, 1656 Paris, 1746 Portrait de Madame Jassaud et ses deux enfants
Nicolas de Largillière, (baptized Oct. 10, 1656, Paris, France—died March 20, 1746, Paris), French historical and portrait painter who excelled in painting likenesses of the wealthy middle classes. Most artists of his time took as their standard of excellence the adherence to Classical models and an emphasis on drawing, while some broke away in favour of the style of Rubens and an emphasis.
of Nicolas de Largillière, Portrait of Marie Dorothée du Saux Ref.66286
'Nicolas de Largillière positioned his figure before an atmospheric landscape and used fluent brushwork, rich autumnal colors, and exquisite treatment of draperies. All these characteristics betray his training in a Flemish late Baroque style heavily indebted to Anthony van Dyck.'
Nicolas de Largillière Sartle Rogue Art History
View Nicolas de Largillière's 964 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and decorative objects for sale and learn about the artist.
.jpg)
Nicolas de Largillière (Paris 16561746) , Portrait of a man, possibly Philippe II, duc d
Biography. Born in Paris, Nicolas de Largillière trained as an artist in Antwerp, where he showed a great admiration for the Flemish Masters. At the age of eighteen he moved to England, where he was apprenticed to Peter Lely at Windsor. His talent attracted the attention of King Charles II, but due to growing hostility towards Catholics.
synthèse des arts Groupe de Recherche en Histoire de l'Art Moderne
Nicolas de Largillière was among the most highly esteemed and prolific portrait painters working in the time of Louis XIV of France, and his popularity continued through the period of the regency that followed Louis's death in 1715. His portraits were admired for their deftly rendered textures and for the confident poses that lent a sense of.
Nicolas de Largillière Lose in unserem Preisarchiv LotSearch
modifier - modifier le code - modifier Wikidata Nicolas de Largillierre , diversement orthographié jusqu'à il y a peu , né le 2 octobre 1656 à Paris , où il est mort le 20 mars 1746 , est un peintre français . Il est l'un des portraitistes les plus réputés des XVII e et XVIII e siècles. Biographie [modifier | modifier le code] Fils d'un marchand chapelier, Largillierre passe son.
1725 Madame Isaac de Thellusson, née Sarah le Boullenger (17001770) by Nicolas de Largillière
Nicolas de Largillierre, one of Europe's premier painters of portraits, history paintings, and still lifes during the late seventeenth century and the first four decades of the eighteenth, was born in Paris in 1656. He was the son of a hatmaker and merchant who moved with his family to Antwerp in 1659. As a boy of nine, he traveled for the.
Nicolas de Largillière (Paris 16561746) Ref.80941
Nicolas de Largillierre. 1656 - 1746. He was born (and died) in Paris; he trained in Antwerp and from about 1674 was for some years an assistant to Peter Lely in England. He became a member of the French Academy in 1686 and was later Director; he is recorded as an early admirer of Chardin. He specialised in portraits, mostly of the professional.